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Fortunately, the answer is straightforward: you should use the RAW model at the very beginning of your post-processing workflow. #Topaz ai denoise updateI spent a lot of time reviewing all of the comments left on our DeNoise AI v3.3 update post and our social media channels, and one of the most common themes-and source of confusion-has to do with when to use the RAW model. I recommend reading this article to learn more about how and why we built the RAW model. Both of these file types are classified as compressed RGB files, and while DeNoise AI can do great things with them, there is so much more that we can do when we source the original RAW data. This workflow requires your DAM first to create a duplicate file, often a JPEG or TIFF. We've also loved seeing the noise-reduced photos you've shared with us online! We built the RAW model to deliver the cleanest possible noise reduction by changing the data we analyze.Typically, you'd import your RAW files into your digital asset manager (DAM), go through a curation process, edit your picks, and then send the noisier ones to DeNoise AI. #Topaz ai denoise full sizeNikon D4s with 500mm f4, 1/12Ĭlick on the images to view a full size file that more clearly shows the noise reduction.ĭownloaded Topaz Denoise as a fully working 30 day trial and purchsed for $79.We've been thrilled with all the positive (and constructive) feedback on the new RAW model recently introduced in DeNoise AI v3.3. Texas Rangers Delino DeShields narrowly misses getting hit by a ball. In any case I only apply this process to my best images as part of outputting them for final use. However, I think this is a small price to pay for a super clean output. ![]() If I am applying to a full size D850 image it can take around 30 seconds to complete it’s task. Topaz Denoise is not the speediest of processors. If I do not require any Photoshop adjustments I open the TIFF file directly from Capture One and apply Topaz. Here I make any further adjustments necessary and finally apply Topaz Denoise. My workflow is now to cull, caption and keyword in Photomechanic, Process RAW file in Capture One 20, output a 16bit TIFF and open in Photoshop. You therefore need to apply all your adjustments in your RAW processor, before outputting a TIFF or PSD file for denoise work. ![]() You must output a pixel based image before applying. It is important to note that Topaz Denoise AI does not work with RAW files. Note how the background noise has been smoothed and feather detail and the eye enhanced Workflow This Ring-billed gull was shot at ISO 1100, 1/2000th f6.3, Nikon D850 with Nikon 500mm f4 and TC14 converter, (effective focal length 700mm, handheld. Topas Denoise shows a before and after view before you commit to the changes. #Topaz ai denoise manualI rarely have to use any manual changes, simply setting Auto and letting Toopaz do it’s thing. #Topaz ai denoise softwareI am not a great fan of automatic adjustments by software on an image but this is certainly the exception. You can manually adjust the settings should you wish to do so. However, you are not stuck with the AI version to remove noise from your image. The AI stands for Artificial Intelligence, and it certainly hits the mark. Topaz Denoise, does not cause a lack of sharpness, in fact it seems to somehow enhance sharpness. This includes both external plugins and the noise reduction built into Lightroom and Capture One. To say I was pleasantly surprised would be an understatement! All noise reduction software that I had tried in the past had always led to some softening in detail areas and a slight reduction in apparent sharpness. Recently there has been a big advertising push online from Topaz Labs plugins and a lot of positive reviews, particularly for Topaz Denoise AI, so I thought I would download the free trial and give it a go. ![]() For the last few years I have used NIK filters Dfine as an external noise reduction filter for high ISO images and been reasonably happy with the results. None the less I have always found it necessary to do a certain amount of noise control in post processing with most images shot at 1600 or above. Each new generation of digital camera has improved its control of digital noise in high ISO images. ![]()
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